Woody Allen’s Fielding Mellish travels from New York to the fictional republic of San Marcos and somehow becomes part of a revolution. A fast, anarchic political comedy with Louise Lasser, Howard Cosell and music by Marvin Hamlisch.

Woody Allen’s first fully original feature as director follows hopeless criminal Virgil Starkwell through robberies, prison and repeated disaster. A fast, inventive mock-documentary that established the comic voice of his early films.

Woody Allen transforms a Japanese spy film into an absurd comedy through new dialogue, editing and music from The Lovin’ Spoonful. An unusual but fascinating beginning to his feature film career.

A dark, elegant tale of ambition, desire and luck, set among London’s wealthy elite and driven by one of Woody Allen’s most unsettling moral questions.

Woody Allen wakes up 200 years in the future in one of his fastest and funniest early comedies, mixing science-fiction satire, physical comedy, Diane Keaton and New Orleans jazz.

A wildly funny collision of Russian literature, war, philosophy and romance, with Woody Allen and Diane Keaton at the centre of one of his sharpest early comedies.

A romantic, funny and thoughtful journey through Paris, where nostalgia, literature and the temptation of another time collide.

A warm, funny and deeply human portrait of family, relationships and the search for meaning, featuring one of Woody Allen’s finest ensemble casts.

A funny, inventive and bittersweet look back at a relationship, with Diane Keaton’s unforgettable performance at the centre of one of Woody Allen’s defining films.

A romantic, bittersweet portrait of New York, photographed in luminous black and white and set to the music of George Gershwin.